I’ve been packing and organizing and purging — the more I do now, the less I have to do when I actually begin escrow on a place. I had 2 entire boxes of unsorted planner/notebook stuff. Now fortunately, I know B. will want some of it, particularly the wedding themed scrapbooking bits. But a lot of these planners are dated to the year, so they can’t be useful anymore. As I skim through them to find the pages you actually filled in, I’m always amazed at how you can take something so mundane and bring it to joyful life with your creativity. And reading these entries certainly makes me remember just how lovingly devoted you were to me, and I to you.
Yet there is such sadness and regret in these pages. Because so many of them… SO, so many of them… are empty. The searing irony — these are “Life Planners”, after all. And your life, cut short, likewise leaves so many unfilled pages of potential. Such volumes of unwritten, un-lived words of unspeakable love and laughter, pain and pleasure, happiness and heartache, tears and triumphs. If only I had known. Had come back to you in time to rush you to the ER or to call 911 before it was too late. But it was. It is. Gut-wrenchingly late.
Occasional other reminders jump out as well. Adult coloring books with merely a few pages partway done. A random quote or journal blurb. Dozens of shanghai score-pad pages with stars and hearts over the winner’s initials. Haphazard bundles of coloring pens and markers. Thankfully some of this stuff can be donated and go to a good second home, while other bits can even go to one of our nieces for her artistic pursuits.
When I posted a particularly poignant bit about you not having a baby, J. called you her superhero. That made my heart warm again. Yet cold in quick succession, reminding me that you, and perhaps by some extension, I, will never have that chance. I still say that raising kids in this pandemically-induced-quasi-apocalyptic society would be chaos, and that in a very small and somewhat selfish way, I’m glad that we didn’t, but my heart aches for you that you didn’t. If that makes any sense at all.
I wish things made sense. They still don’t. I loved you. Goodnight sweet angel.
Seriously ‘Boomers. Just stop. Did you fall for those old chain-letters back in the day that came through the actual mail? No? Didn’t think so. So why do you continue to fall for the digital version?
Sure, I could provide you with links upon links upon links of why these don’t work and why they’re stupid. Even our old favorite myth-debunking site, Snopes, which has been around forever and was literally founded people of your generation, tells you it’s bogus.
But you’re not going to read those are you? You’re probably not even going to finish reading this article. So if you take nothing else away from this, just hear me once, right now, yelling this into my keyboard.
STOP POSTING COPY-PASTE SPAM, CHAIN-POSTS, AND FAKE NEWS. JUST STOP.
Now, for those of you who care to read further. There IS a reason this stuff “seems” to work. Because it’s true, if you and your friends do copy-paste that god-awful chain-post and keep it going, you will find yourself seeing posts in your feed from friends that you don’t normally see/hear much from. So perhaps you’re asking at this point, “Well Nate, if this works, why is it so bad and why are you saying it doesn’t work?”
Facebook is a social network. That means its primary goal in life is to make you interact with what they consider to be your social circle — your “Facebook friends”. Your main interactions with Facebook are via your “News Feed” (or just “Feed”). In your Feed, on any given day/hour/minute, there is literally too much content (too many posts & updates) to see “all at once”. So Facebook tries to do you the favor of “prioritizing” them. They tend to bump the more popular and more potentially “meaningful” things to the top. Like any other social network, it’s basically a popularity contest.
With me so far? Now, let’s think about what happens when you do that whole “copy paste this to your status and all your long-lost friends will come back!” nonsense. It’s roughly the same post-content each time. Which, to the robots at Facebook, means it’s the same “topic” or “story”. You’re actually encouraged to add your own words into the mix, too, which has another purpose that I’ll get to in a minute. But again, essentially, it’s the same “topic of conversation”. It’s now “trending content“.
So now that you and your friends are ON the same “topic”, you’re “talking about the same thing”, Facebook’s robots say “Oh look! They must want to interact with each other some more! I’ll bump up their posts in their friends’ feeds so they’ll show up near the top!” (Yes, robots use lots of exclamation points!)
Here’s why the spam-posts encourage you to change/add words. Because if they were all literally the exact same thing, Facebook’s robots would do something a bit different. They would consider it ACTUAL SPAM. And de-prioritize it (make it drop to the bottom of the feed). Similar reasons to why you’re instructed NOT to “share” or “re-post”, but rather, to copy-paste. If you merely shared/re-posted, you’d just be “adding to the noise”, and it wouldn’t be considered a “meaningful interaction” that Facebook wants you to have with your long-lost friends.
So what have we learned today? Facebook is a complicated beast, and technology in general gets more complex all the time. However, it’s not that complicated to spot a hoax, scam, spam, chain-letter, or any other form of ridiculous miscommunication that passes for content these days. Seriously. It’s NOT THAT HARD. Use your brain for a second, do just a teeny little Google search, and you’ll be just fine.
But I know, I know you think I’m being dramatic. Too salty. Too angry. Right? What’s all the fuss about anyway, it’s harmless! And so what if it doesn’t work they way it says it does — it still made some of my friends show up that I hadn’t heard from in forever! Right?
Why the big querulous rant? WHAT’S THE BIG DEAL?!?
Because it makes you look dumb, frankly. And it makes me look foolish too.
It makes you look dumb, because you’re admitting that you are technologically illiterate, that you’re prone to falling for misinformation, and that you’re likely a good target for more insidious forms of attack like social engineering, phishing, ransomware, and other scams (yes, like, actually involving real money!). You’re effectively drawing a big red target on your back that says “Look at me, I’m gullible and technologically fallible! You can probably bilk me out of some money if you know how to push my buttons just right!”
Furthermore, it makes me look foolish, because it means I, as a member of the technologically mature & innovative generation — the “Millenials”, even though frankly I identify more with Gen-X most of the time — haven’t done a good enough job at educating you on how all this tech around you actually works. It underscores the fact that we, collectively, as the people who build and maintain this tech, are increasingly and alarmingly leaving older folks behind, completely oblivious to their needs and limitations. I could go on about this, but I’ll have to save it for part 2.
So please. For the love of all things holy. Next time you see one of those silly copy-paste spam posts come across your feed, don’t do it. Ignore that urge. Instead, use those 3 little dots near the top-right of the post, and tap “Hide post”. This will help Facebook learn that you don’t like those stupid spam posts, and hopefully, if enough of you do this regularly, the fad will die off. And you’ll be a better ‘netizen’ for it. (That’s “Internet Citizen”, just in case you forgot.)
Otherwise, I’ll be re-posting this again next year. And the year after that. Until you get it through your thick skulls. Or die of old age. There’s always that to look forward to.
Because click-bait, why not. But seriously, who else is tired of these? Yeah, we get it, your PR team wanted to make sure your company looked good and seemed like they were making some effort to do “the right thing” in this pandemic crisis, whatever that is. You can stop frickin’ pretending now. We still see your commercials. We still see you selling your products to people who really don’t need them but are convinced they do by your partners-in-crime, the Marketing department.
Oh, and let’s be clear, I’m not talking about my company. My company’s business is doing fine, but that’s because we serve a fairly unique segment of the population and we’ve established ourselves as THE leader in our market niche. And we have a CEO who knows his shit and doesn’t pander to ignorance or FUD.
Let me put one particular company on blast. (Right, because I have SO MANY READERS, AMIRITE??) Partly because this turned into a rant-y text to one of my friends who works there.
Disney. Disney as the ultra huge mega-corporation that owns like 90% of the modern American entertainment industry.
Disney had, and still has, the resources to:
A) Make a massive difference in the fight against the pandemic. Mask & PPE production & delivery via repurposed factories and logistics resources. Scientific research funding and vaccine development funding. Etc.
B) Keep all workers employed WITHOUT re-opening the parks (said re-openings having led to new outbreaks and hot-zones). Rides and facilities still need maintenance even without customers. “Cast members” (gag me with a spoon) could have been outfitted to give virtual tours and rides to people who could watch and even participate from their phones or connected devices. Not hard to come up with this stuff, seriously.
And obviously any & all workers capable of performing their duties from home, should have been given the means to do so. For a company of that size, with such resources and innovation at its disposal, surely SOME kind of role-restructuring and digital transformation efforts could have turned the tide for even MORE workers anxious to remain employed yet unsure of their legacy job’s effectiveness-if-turned-remote.
But no. Disney has done nothing of the sort. They furloughed my friend, and hundreds of others like them. And that’s just a corporate office desk-job position. Imagine the ones in the trenches — the food service and sanitation folks, for example — lord knows if they even got their vacation hours paid-out before they were (likely permanently) shown the door.
The FACT that Disney has done nothing helpful — actually they’ve been harmful, as I said, by prematurely re-opening parks — is a reflection of modern corporate greed in our society, of which Disney is one of the biggest culprits and practitioners. Amazon, Facebook, and several others are right up there with ’em, so don’t get it twisted. But Disney is inarguably one of the worst offenders.
And why? Why do they continue to operate this way? More importantly, why do they get away with it? Because they OWN your kids now. Everything your child loves to watch and play is, as I said, about 90% likely to be some product or offshoot or relation to Disney. Not only that, but their pockets are deep, and deep pockets pay the political bills. Think about it. Nobody in their right mind on Capitol Hill is going to want to regulate (or to the extreme, break-up and force restructure of) a gargantuan titan like Disney. They’re “Too big to fail!”, as we heard in the financial crisis of the late 2000’s.
Two quotes/sayings I want you to remember right now.
The fish rots from the head down.
The love of money is the root of all evil.
Let me close on a positive note. The company I was going to order some audio equipment for the podcast from, Behringer, stopped making their products around March. Went completely offline. They’re not a huge corporation, and I’m sure they had to make some tough decisions about their workforce. But at least they tried to do what was right. Now I hear they’ve spun back up, at least in part, and the thing I wanted should become available soon. But that’s neither here nor there. Unless you’re a fan of the podcast, then it’s kinda exciting.
Let me take you back to an older time. A simpler time. When smoking was cool and airplanes didn’t have covered-glass cockpits. Before all missiles were laser-guided and computerized. When a ship-mounted anti-air gattling gun took 3 people to operate. When those “damn dirty Japs” sunk our battleships as they idled in sunny Pearl Harbor.
Reminder: I’m not endorsing racist slurs, I’m merely quoting the sentiment of the time, that point in history, so stop taking everything so seriously and read with CONTEXT.
One of the main takeaways from this film, for me, is how ploddingly slow war combat was in the 1940s. Compared to anything from this century, the difference is mind-boggling! The technology feels like another world, another lifetime. Which it IS, in fact. Most of those who were alive at that time, at least those involved with the war, have passed on. And this film is, in many ways, a tribute to them, their bravery and sacrifice, and their heartbreak. Roland Emmerich is certainly qualified to handle this material.
Oh look it’s Ajax from Deadpool! Yes, folks, that’s up-and-comer Ed Skrein, probably most famous for playing the tropefully-British-accented villain in our favorite anti-hero movie of the past decade. It’s interesting hearing him do an American inflection now… it definitely sounds less natural. Obviously, since his native tongue is the Queen’s English. Gotta respect the man’s work, though.
Speaking of actors.. Dennis Quaid really doesn’t pull this off well. Perhaps its the way they wrote the character, but I just don’t believe it. I believe most of the others, including Woody Harrelson’s Nimitz (which was a tough sell). I don’t know, maybe it’s just me. Nick Jonas ain’t winnin no prize either.
Do one thing and do it well
But overall, Midway accomplishes its goal. It doesn’t focus unnecessarily on Pearl Harbor itself, but presents the tragedy with enough gravitas that we feel the motivation of our fallen brothers to seek righteous vengeance upon those who perpetrated it. It gives adequate treatment to the intelligence side of the equation — the “code breakers” — as well as the combat side. It even presents the Japanese forces and officers in a neutral and respectful light; in fact, it comes off as much less of a “rah rah, ‘Merica!” nationalistic stars-and-stripes-fest than many of its kin. So I respect that. Sure, it’s still an American film, but it doesn’t beat you over the head with patriotism.
In today’s hack, we take a look at a slightly newer tablet than last time, and find out just how much more difficult it is to crack open an Android 7.1 “Nougat” device than it was just 2 major-OS-versions ago.
Spoiler-alert: I did NOT actually end up successfully removing the FRP lock. Instead, I insisted that the owner try harder to find the appropriate Google account info for the device. Which they did, thank God. I am currently waiting on them to set aside some time to walk through the remaining recovery steps.
So instead of actually hacking (removing the FRP lock), this is simply a link-dump and giving credit to the sources that helped me get it back to a usable state.
XDA Forums post which contains the actual stock firmware needed for my specific device (T377A).
Now, you may be wondering, how is this useful? Well, dear reader, allow me to explain.
Scenario A: You need to factory-reset your tablet, but it’s been borked/bricked by some strange 3rd-party firmware or a bad update.
Scenario B: Like me, you’ve managed to use Odin to flash it to “factory binary” firmware (kinda like diagnostic/debug mode), but you forgot to store a backup of the actual firmware first (the one that a normal human can use).
As a reminder, the standard startup-button-combos are as follows:
Recovery mode (standard): hold Home, Volume Up, and Power.
Odin mode (aka firmware download/re-flash): hold Home, Volume Down, and Power.
We’ll talk about #2 first. This has a nice warning screen about how tech-y it is, so you can “abort mission” by pressing Volume Down if you made a mistake coming here. Otherwise, you hit Volume Up, and continue into “Odin mode”. From there, you use the Odin program on your PC to flash the firmware. Obviously, you need to have the tablet connected to the PC with a standard USB cable.
Recovery mode, #1, also looks kinda techy, with the black background and orange & blue text in a sort of old-school Matrix-y way, but it’s really not complicated. You have options like ‘Wipe data/factory reset’, ‘Wipe cache partition’, and ‘Reboot system now’. You navigate up and down with the Volume Up & Down buttons, and make a selection with the Power button.
What do you mean, Theoretically?
Again, I was not successful in actually removing the FRP lock (which was the goal and outcome of the previous post on this topic, albeit with the older tablet). But in theory, if you needed to go that route, this is a decent place to start from. Because if you make a mistake or “brick” the tablet, restoring the stock firmware should get you back to square 1, where you can try ‘hacking’ at it again.
Always always always. ALWAYS. ALWAYS. Correctlysign out of and wipe your devices when you’re done with them (giving them away, throwing them out, selling them, etc). It never gets any easier trying to recover that stuff or work-around it to “break into” a device that you’ve turned into an expensive paperweight by forgetting your owner-login info.
This means, while your tablet is still on and accessible to you (i.e. you can unlock it, use it, get into Settings, etc.) — use the Settings menu to do the wipe/reset!! It varies slightly between devices, but it’s generally under Security somewhere. Just Google “<your device name> factory reset”.
Get your account recovery options up-to-date and keep them that way. Same for your loved ones and relatives. Spouse, parents, etc. By setting up and maintaining proper account recovery options (alternate emails, phone numbers, 2-factor authentication), you can be reasonably secure and still able to work on someone else’s behalf in terms of device ownership and recovery.
If you’re not sure what I mean, drop me a line on Facebook, Twitter, or right here in the comments.
As a long-time fan of the vampire/werewolf universe, I should surprise nobody with this pick. She almost looks as if she could have fangs hiding under those lips, her mouth and cheekbones with that ever-so-slight jut in that one spot. And she’s gorgeous, of course. But more importantly, she plays a really convincing blood-sucker. I may have already mentioned the ill-fated show The Gates, and of course she played the great predecessor of Kate Beckinsale’s infamous Selene. We mustn’t type-cast, however. That’s the trap these kind of actors often fall into — they become “too good at” playing a particular kind of character, so they have trouble finding other roles. I hope that doesn’t happen to her. Looking over her IMDB page, I see mostly TV gigs, which kinda makes sense. I’ll always remember, though, hers were the first bare pair I saw on screen in Hollow Man. Good times.
Thirteen. That’s all I need to say, really. House gave us a lot of good stuff in its 8 year run. But one of the best things had to be skyrocketing this beauty to the big time. I mean sure, she had a few movies beforehand, and some TV gigs, but I feel like this made her A-list. As such, I wasn’t even sure if she belonged on this list, but she kinda hasn’t been doin a lot of acting lately. She’s been producing and other stuff, which, great for her, but I’d like to see more of her back on the other side of the camera. I mean, have you seenThe Lazarus Effect? Just.. go watch it. Now. It’s phenomenal.
More vampires. Well, she played a witch, but on a show about vampires. And honestly, she was one of the few original main characters that I could stand. Seriously, give me this firecracker over ANY of the Stephen/Damon/Elena/Catherine bore-fest. At least she wasn’t a codependent puddle. But where I really fell for her was when she did a guest spot on Ridiculousness — you know, the show where a washed-up skater and his buddies watch found-footage of people doing ridiculous things (and usually injuring themselves) and make fun of them? She had such a playful chemistry and a great attitude. Not taking yourself too seriously, remembering that you’re first and foremost an entertainer? Yes, more of that please.
Speaking of not taking yourself too seriously. This gem has been doing that since she was a teenager. Again, not really sure if she belongs on this list, but that Jupiter Ascending garbage was just so terrible that I feel like she deserves so much better. I wasn’t a big That 70s Show guy, but I did fall in love with her voice and her banter on the Family Guy DVDs, especially in the commentary tracks. It wasn’t until.. probably Forgetting Sarah Marshall, that I really had a crush. But it was all over with Friends With Benefits. I was hooked. Then, Bad Moms and The Spy Who Dumped Me? Thank you ma’am, may I have another! A lot of it is the attitude, the chemistry and delivery — but those smoky dark eyes and contagious smile certainly don’t hurt.
And finally.. speaking of The Spy Who Dumped Me (hmm, I wonder if I have a review of it somewhere).. Have you met our ex-first-lady-slash-ex-presidential-hopeful? Oh, sure, easily confused, her SNL impersonation was that uncanny. But really, I could watch this lady do just about anything. She made the Ghostbusters reboot worth watching. Same for the sleeper-hit Rough Night with ScarJo — I mean, let’s be honest, I watched that for my favorite buxom blonde with a “seductive husky voice” (not my words; it’s right there on her IMDB profile), but I stayed for the Australian-accented antics of this comedically brilliant woman.
Enjoy! Leave me a comment if you watch any of these movies or recognize these ladies from other works — I’d love to see more.
One of the first films I’ve seen this year that was actually released this year. I think. Well, put it this way. One of the newest films I’ve seen this year after the theaters closed due to the pandemic. God I miss the movies.
Anyway. Let’s chat, shall we?
Unlike the H. G. Wells novel that inspired it, the antagonist here is a charismatic and insanely wealthy gentleman, whose fortune and status owed to his brilliance in the field of ‘Optics’, which is to say, vision and sight-related technology, like cameras and image processing and light manipulation. The protagonist is his battered, controlled, and (at first) entirely victimized girlfriend. Of course, she realizes how bad her situation is and makes a daring escape from their compound-like home (which apparently doubles as his optics lab, I guess.. when you have enough money, you just merge your work and living space into one bougie-hipster-fest of a mansion?).
She holes-up with a good friend of hers, sees her sister, and starts trying to live a normal-ish life. Douche-optic-sci-guy dies and leaves her a ton of money. His brother, a sniveling lawyer with a little too-convenient story of their own strange relationship, serves up the will. She celebrates with some well-placed generosity and seems to be doing well.
Great, I’m with it so far.
The Plot Thickens
But. Always a but. She starts sensing a presence. An unseen entity pulls off her bed-covers while she sleeps, and a pair of foot imprints, seemingly standing on the edge of the blanket as she pulls it back, jump-start the insanity.
So this is not what I’d call “pure horror”, but it’s more of a horror-thriller hybrid. And it’s very well-done. The characters are developed, the story moves at a good pace, and the building sense of fear and psychosis is demonstrated with the right amount of visuals, musical cues, and dialog. Some of the best bits are when Cecelia simply converses with the empty space in front of her, knowing it’s not truly empty, but unable to find even the slightest crack in the facade to prove otherwise.
We could draw some comparisons to Hollow Man here (first R-rated movie I ever watched, no joke!), with similar pacing and action. Although in terms of the targets of affection, I think Kevin Bacon got the better deal by far — Elizabeth Shue AND Rhona Mitra? Yes plz. (I might have mentioned her before.) That’s not fair of me, though — Elizabeth Moss is fine too, but her character here is supposed to look like she’s been through hell, because she has!
Look Ma, No Hands!
As we build toward the climax, a couple things go wrong. First, the injuries that C. inflicts on herself should have been much more life-threatening. Second, once we learn how the invisibility suit actually works, it stands to reason that it being shot with multiple bullets would cause some serious malfunctioning, not this half-baked “self-healing” technology that seems to keep our killer both lead-proof AND eye-proof without a flinch. But hey, maybe I’m behind the times.
Despite me “calling it” before the last “mini-twist” was revealed (I’m trying to emulate K. here, but her gift for foreseeing story elements, plot-twists, and endings was absolutely astounding), I still enjoyed the fact that they went there. It helped bump C. over that last little ledge of neurosis, while giving her the motivation she needed to start actually fighting back.
That Ending, Tho…
But really. For all we’ve learned about Adrian, can we really believe for a second that he wouldn’t suspect her of being wired while they converse awkwardly over a reunion dinner? Or that he’d just LET her wander off alone to “freshen up”? Come on.
I did administer a few self-fives for predicting dialog just before it was said, so that was entertaining.
While enjoying some movies lately, and realizing I’ve missed on some epic ones, therefore taking the necessary steps to correct that (downloading it to my Plex library)… I realized that some of actors I truly enjoy seeing on the big screen are NOT your typical A-listers. Also, the fact that both of those movies feature Ewan McGregor is purely coincidence. COINCIDENCE I SAY!
Let’s get on to the list, shall we?
Disclaimer 1 (Feminists take note): Yes, these are all men; in Part 2, I will get to the ladies. K? So don’t flame me just yet. At least wait til you see my picks for the opposite sex. (OMG he used that word! CRUCIFY HIM!!!)
Disclaimer 2, this is heavy on the IMDB links. If you have a problem with that for some strange reason, just.. don’t click? Whatevs.
The first of a few New Yorkers on this list, you may recognize him from, as mentioned above, Black Hawk Down, or Armageddon, or the TV show Prison Break. All excellent viewing choices. His voice and countenance are pretty unmistakable, once you’re dialed in to it. He brings an authenticity and sincerity to every character he plays, even when they’re ridiculously drawn. One of his lesser known (and highly underrated, and cut far too short of its potential, if you’d asked my wife) projects was a little ill-fated show called Invasion, about, you guessed it, body-snatching aliens invading earth. Which sounds, obviously, quite cliche, but he has a keen eye for suspense and personal drama, and that’s what shines through.
The token Englishman of the bunch. This guy can bring gravitas to ANYTHING. His role as the self-flagellating priest in The Da Vinci Code? As a fallen angel fighting for humans’ second chance in Legion? As the riotous Chaucer in A Knight’s Tale? Yes please; thank you sir, may I have another! Now, there is only so much one man can do. He couldn’t save the pseudo-dystopian-horror-Blade-knockoff that was Priest, God love him for trying (get it?? God? Priest? #ohbehave). But come on. He’s freakin Vision.
Another New Yorker! But you’d never have guessed it if you saw how flawlessly he pulled off that southern twang in Friday Night Lights, would ya? No, honestly, I defy you to watch that show and NOT get inspired and fired-up by Coach Taylor. Go ahead, I’ll wait.
Oh, and the fantastic sleeper-hit, Game Night — sure, Bateman and McAdams are the stars, but you are absolutely drawn into Chandler’s rich-big-brother charisma like moth to flame. Funny enough, that movie also featured Landry from FNL as a creepy neighbor who takes things way too literally and way too seriously. Highly recommended.
Our THIRD New Yorker of the bunch… wonder if that’s a pattern? Does it say something about me, or the actors I like? Hell if I know. Grillo is one of those guys that usually plays a similar character, but to a rare degree of perfection. It’s generally a cop or cop-like role, someone in some position of authority or enforcement — an Army guy, perhaps, or an investigator or an ex-somethin-or-other. The Purge movies, for one. That super short-lived series The Gates (Rhona Mitra ME-YOW!). And Prison Break, again.. hmm. COINCIDENCE! Also, End of Watch, amazing police-cam-style movie with a heart-wrenching finale. Amazing piece of work, that.
Speaking of End of Watch, here’s our token Mexican. Oh stop. Really, I’m kidding. So sensitive, you people. But yeah, he’s amazing. Whether he’s knee-deep in the trenches of political intrigue in Shooter (moar Rhona Mitra.. hmm, ideas for Part 2 post starting to formulate!), making us laugh our our noses in Ant Man with his overly enthusiastic blitzkrieg-plot-recalls, or — spoiler alert — taking a bullet for his brother-in-arms in the middle of a gang-war-zone alley… He’s got my vote.
Not in the top 5, but here because he was the absolute PERFECT fit for this role — Death, in Supernatural: the one and only Julian Richings. Any other characterization of Death on-screen will be forever weighed against his, and I doubt they will measure up.
End-result: My Xbox One S is now running a 1TB Samsung Evo 860 SSD. Granted, it’s connected via a Sata 2 interface (3Gbp/s), not Sata 3 (like you have in the Xbox One X), so I’m not really getting that much of a performance benefit, if any. BUT, it sure beats replacing with another mechanical drive, because who the heck would even buy one of those these days anyway? (Yes, for huge capacity, I get it. Not for this use-case.)
Reader! It’s been too long. I figured that I should get back to what I’m good at… watching, and subsequently reviewing, MOVIES!
“Good at” is debatable.
Shut up, voice-in-the-head. Nobody asked you.
Anyway, today we’re talking about the 2005 nearly-a-box-office-flop dystopia-action flick The Island. Let’s dive in!
But wait. If you wanna be REALLY entertained, just go read this review. It’s bonkers. In the best possible way. It made me laugh way more than I laughed at myself while writing this.
Wow, you’re really shootin’ for the stars there, huh?
On paper, this movie has a lot of good things going for it. The cast, for one — eye-candy ScarJo & EwanMcG, the incomparable Sean Bean, the gravitas-laden Djimon Hounsou. Okay I guess that’s mostly it. No, wait… why does this guy look and sound so familiar? This friend of Ewan’s character, in the lab with the tubes. With the almost-comically-large nose. His mannerisms, his speech… it’s like something out of my teenage years. OHMYGOD it’s frickin’ Neelix! From Star Trek Voyager! I KNEW that guy was familiar. Ha! Neelix…
The problem is, these two incredible (-ly good looking) lead actors are asked to play these very naïve, child-like humans in this artificially homogenized semi-futuristic environment, but they can’t quite make it seem real. And I’m sure it’s not entirely their fault — Michael Bay isn’t known for being a master of eliciting pure emotion, so much as he is for making big stuff go boom. But the dialog often feels stilted and off-beat. I could forgive it if it were consistent, because that would actually suit the narrative and the plasticity of the utopian environment; but there are contrasting moments that sort of take you out of the immersion and make you remember “Oh, right, these are actors. Acting.” I’m not saying that’s wrong, just that it should happen less.
Let’s talk about the plot. I mean, if you’ve heard of a book called “Never Let Me Go”, or been at any point exposed to similar dystopian stories — heck, even if you saw the trailers for this movie — you’d kinda have an idea of where things are going. It’s not that complicated. But you watch because you want to go on that journey — you want to be teased a bit, to experience a touch of mystery and a glimmer of uncertainty.
But you kinda just know, from the moment the camera pans past a classroom of fully grown adults reading “Dick and Jane” aloud as if they’re actually learning it for the first time, that something’s very Soylent-Green here. You get the tease, sure, and you’re supposed to be in shared-suspense with Lincoln as he questions all the delicate order and pristine-ness of his proverbial ivory tower. But by the time he crawls up that ventilation shaft…
It’s always a ventilation shaft, isn’t it?
And by the time he watches in horror as the new mother is injected with death-serum as her baby is carried off to another mother who looks exactly like her, waiting in a neat little room with her handsome husband and some well-appointed paperwork… You already knew. You saw it coming. At least, you did if you were paying any attention. And again, when you watched with disgust along with the computer technician (who IS in-the-know, of course, but doesn’t change the fact that he’s not thrilled with everything his employer does) — and by the way why does he need to be so gross and greasy? I mean really, talk about your stereotyping. Anyway, where was I? Oh yes, watching in disgust, as they cut open the waterbed-sized embryonic sac to reveal a “newborn, fully-grown” human. Even that, you should have seen coming. Oh, did I mention spoiler-alert? Right. Spoiler-alert!
That’s really what makes Buscemi’s character so incredibly unnecessary. I mean sure, he befriended Lincoln (for some strange reason) — probably seems him like a son he never had — but there’s absolutely no need for his over-expository recital of the movie’s key premise to the characters who are sitting on his couch dumb-founded as if they didn’t just experience exactly what he’s telling them. I mean, I get that they’re immature, but are they really THAT dumb? Are WE? I’d like to think not. Yet this scene just kinda felt like an unnecessary condescension to the viewer, as if the filmmakers were saying “Here, we were just SO CLEVER, but we’re gonna get you caught up now so you REALLY know what’s going on.”
Now, the point of a dystopian story is always to turn the mirror on its audience, to ask “How far will you let science/technology/ideology/etc. go?” To present us with a grim picture of the future where some thing, in this case genetic science and biotech, is taken to the Nth degree for selfish reasons by the world’s wealthy elite, and ask us the proverbial question, “Was it worth it?” So we get that. It may be shoved down our throats just a bit, but we do get it. The film makes a noble effort to enunciate its message without sounding terribly absurd or preachy. Is it effective? Eh.
So we’ve made it this far without actually explicitly stating the plot. Ready? Are you sure?
They’re cloning humans to use as organ donors, so the wealthy original humans (who the clones are made from) can live longer and overcome things like liver cancer, heart disease, etc. Gross, right? But also… kinda neat. In theory.
Now of course we could get into the typical questions like “But do they have a soul?”, “Do they feel love?” etc. It’s all very dramatic and existential. Great. But remember, this is Michael Bay. The Mister Torgue of movies. Which means this movie was about 40 minutes too long, and the second half was largely a mish-mash of gunfire, large explosions, vehicular manslaughter, and bad dialogue screamed over LOUD NOISES. But hey, at least you get to see John Coffey wake up from open-chest surgery and go on a brief rampage.
Length does not work in this movie’s favor. I was actually hoping it would end on a cliffhanger — and I don’t generally enjoy cliffhangers — but it would have felt justified, in this case. Like, the star-crossed clone lovebirds suit-up to go back to the compound and wreak havoc and try to free their soulless brethren, and maybe we get up to their dramatic re-entrance to the surgical facility with the suddenly-turned-sympathetic black merc at their side, and we freeze-frame with guns drawn and cue the music. But no, instead we have to endure another 20 minutes of explosions, running around chasing people, and this incongruous City of Angels conclusion with all the clones in their white track-suits staggering out onto the hilltop with the sun blazing on the horizon.
But obviously, we had to kill Sean Bean. So there’s that.
I thought you said you were done.
Now you might have read all that and thought, “Wow, you really disliked this movie, huh?” Not at all! In fact I quite enjoyed it. I just had lots of thoughts and words. So I had to get them out and share them. Would I recommend the movie? Yeah, if you’re into this sort of thing, absolutely. Would I watch it again and again? No, probably not. It’s not like Gladiator or Forrest Gump. It’s a popcorn flick. The fact that I didn’t actually consume popcorn while watching notwithstanding.
PS: The product placement was SO laughably awful, I almost didn’t even want to go there. I mean seriously, it’s ridiculous. iMacs, Xbox, Michelob, Cadillac, and MSN. Just… wow. And MSN was like, an important thing IN the plot. I mean sure they called it the “Information Directory”, but, good lord. Pathetic. In hindsight, at least. 2005 was a long time ago, maybe Google wasn’t really the colossus it’s become. My memory’s a little hazy, that was college.
Anyway. Cheers! And welcome back to movie-time. =)