Let me take you back to an older time. A simpler time. When smoking was cool and airplanes didn’t have covered-glass cockpits. Before all missiles were laser-guided and computerized. When a ship-mounted anti-air gattling gun took 3 people to operate. When those “damn dirty Japs” sunk our battleships as they idled in sunny Pearl Harbor.
Reminder: I’m not endorsing racist slurs, I’m merely quoting the sentiment of the time, that point in history, so stop taking everything so seriously and read with CONTEXT.N.
One of the main takeaways from this film, for me, is how ploddingly slow war combat was in the 1940s. Compared to anything from this century, the difference is mind-boggling! The technology feels like another world, another lifetime. Which it IS, in fact. Most of those who were alive at that time, at least those involved with the war, have passed on. And this film is, in many ways, a tribute to them, their bravery and sacrifice, and their heartbreak. Roland Emmerich is certainly qualified to handle this material.
Oh look it’s Ajax from Deadpool! Yes, folks, that’s up-and-comer Ed Skrein, probably most famous for playing the tropefully-British-accented villain in our favorite anti-hero movie of the past decade. It’s interesting hearing him do an American inflection now… it definitely sounds less natural. Obviously, since his native tongue is the Queen’s English. Gotta respect the man’s work, though.
Speaking of actors.. Dennis Quaid really doesn’t pull this off well. Perhaps its the way they wrote the character, but I just don’t believe it. I believe most of the others, including Woody Harrelson’s Nimitz (which was a tough sell). I don’t know, maybe it’s just me. Nick Jonas ain’t winnin no prize either.
Do one thing and do it well
But overall, Midway accomplishes its goal. It doesn’t focus unnecessarily on Pearl Harbor itself, but presents the tragedy with enough gravitas that we feel the motivation of our fallen brothers to seek righteous vengeance upon those who perpetrated it. It gives adequate treatment to the intelligence side of the equation — the “code breakers” — as well as the combat side. It even presents the Japanese forces and officers in a neutral and respectful light; in fact, it comes off as much less of a “rah rah, ‘Merica!” nationalistic stars-and-stripes-fest than many of its kin. So I respect that. Sure, it’s still an American film, but it doesn’t beat you over the head with patriotism.
One solid thumb-up.