It begins, as most dreams do, in the middle of it. Meaning, you’re not really sure how you got there. It just.. IS.
The place starts to feel familiar as the walls and rooms start to solidify. You’re in a hotel; no, a bed-and-breakfast. A mansion that’s run like a bed-and-breakfast. The feeling of familiarity is fleeting and vague, yet you know it’s there. Like a word on the tip of your tongue that just won’t quite come out.
You’re a ghost-like presence, a translucent being wandering the vaguely defined rooms and halls. This room has a secret passageway, which leads to… the pool! Oh what a glorious pool, with ornate marble statues and granite trim. Yet it is not for you. No, you slide back through the room and wonder how to keep yourself busy. You read notes in the guestbook, written to the innkeeper, with words of praise or suggestions. None of it is memorable. You find some dishes out of place and bring them to the kitchen to wash. Apparently you can hold objects, despite your less-than-corporeal state of being.
But perhaps you aren’t so ghostly. You feel that you’re meant to tell somebody something. To pass on a message. Your gut tells you that you will be able to touch and be seen and heard by those you’re meant to see. A voice – is it your own internal monologue, or something else – waxes philosophic: “We are sometimes asked to put into words what no human should have to; and so, in the end, we decide it’s best not to.” Still, you must get a message to someone.
You begin to talk with a man sitting by the pool – he must be the one you’re meant to speak with! He sees you and hears you. Your touch is cold but your voice is warm. The man is having lunch with his family near the pool. He attempts to introduce you to others, but not all of them can see. Not all are meant to see. One woman does feel your presence and hear your voice, albeit quite softly, if you rest your hand on her shoulder. But you are not here to tell her anything of importance. It was merely nice to be heard by more than one person.
Before you have a chance to convey your message to the first gentleman – nay, before you even understand what said message is supposed to be – you become aware of another dreamwalker. His presence feels unnatural. He resembles Joshua Jackson, the actor, for some strange reason. Your instincts tell you that his name is Danny.
Suddenly.. “Danny’s bad. Danny’s BAD!” A young boy’s voice cries out.
Danny’s eyes darken to pure cold black spheres, and he lays chase to the boy. You now feel it is your duty to save the boy from whatever fate this Danny has in store for him. He only has one arm, you realize, in an abrupt and macabre revelation.
You toss and turn through material and immaterial barriers as you try to catch up. You phase-shift through doors but have trouble keeping pace.
Alas, you awake too soon. You hope and pray that the young boy is safe, and Danny is merely a figment of someone’s imagination.
Please note: I have no qualms with anyone named Danny. Dream-interpreters would likely have you believe that there’s some trauma in my past related to a person with this name, but I can assure you there’s not. It is funny that, in most of my dreams, names are rarely, if ever, a thing that gets remembered. But I don’t usually write down notes immediately after waking up, either — in this case I did, by which I constructed this story. So take it how you will. Even if your name is Danny — I still like you, and I don’t think you’re a child-mutilating psychopath. =PN.